I’ve blogged about various experiences of online learning I’ve taken part in over the years and wanted to reflect on the most recent one. Coursera’s three week Introduction to Ableton Live.
Learning more about learning is one of my personal goals this year. And I find writing out loud to be useful tool in thinking. So that’s mostly the point of this.
I take these courses mostly because I like learning new things, but also because I’m interested in online learning more generally. How do you most effectively transfer knowledge, skills and motivation via the web, and/or about the web? That question is often on my mind.
Almost all of the projects I work on at Mozilla are somewhere in the education space; directly with Webmaker or Mozilla Learning Networks and tangentially in the topic of volunteer contribution. Contributing to an open source project as complex and distributed as Mozilla is a learning experience in itself, and sometimes requires specific training to even make it possible.
To further frame this particular brain dump, I’m also interested generally in the economics of the web and how this shapes user experiences, and I have strong feelings about the impact of advertising’s underlying messaging and what this does over-time when it dominates a person’s daily content intake. I’m generally wary of the word “Free”. This all gets complex when you work on the web, and even directly on advertising at times. Most of my paycheques have had some pretty direct link to the advertising world, except maybe when I was serving school dinners to very rich children – but that wasn’t my favourite job, despite it’s lack of direct societal quandaries.
Now, to the content…
If you’re like me, you will tend to read notes about a topic like ‘commerce in education’ and react negatively to some of these observations because there are many cases where those two things should be kept as far apart as possible. But I’m actually not trying to say anything negative here. These are just observations.
All roads lead to… $
My online experience within the Coursera site was regularly interrupted with a modal (think popup) screen asking if I wanted to pay to enrol in the ‘Signature Track’, and get a more official certification. This is Coursera’s business model and understandably their interest. It wasn’t at all relevant to me in my life situation, as I was taking a course about how to play with fun music software in my free time. I don’t often check my own qualifications before I let myself hobby. Not that anyone checked my qualifications before they let me work either, but I digress. Coursera’s tagline says ‘free’, but they want you to pay.
All assignments for the course had to be published to Blend for peer-evalutation, Blend is like Github but for raw audio production tracks rather than source-code. I didn’t know about Blend before the course, and really like it as a concept and how it’s executed and for what it could do for collaborative music making. But I note, it is a business. This course funnels tens of thousands of new users into that business over the course of a few days. There might not be any direct financial trade here (between companies for example), but users are capital in start-up land. And I now receive emails from Blend with advertisements for commercial audio production tools. My eyeballs, like yours, have a value.
While hosted on Coursera, the content of this course is by Berklee College of Music. The content they ‘give away’ would traditionally only have been available to paying students. Berklee’s business is selling seats in classes. This course isn’t given away as an act of kindness, it’s marketing. Three weeks is short and therefore the content is ‘light’. Lighter than I was expecting (not that I’m entitled). But halfway through, we receive a promotional email about Berklee’s own online education platform where you could create an account to get access to further ‘free’ videos to supplement the Coursera materials. I found these supplementary videos more useful, and they lead to offers to sign-up for extended paid courses with Berklee Online. For Berklee, this whole excercise is a marketing funnel. Quite possibly it’s the most fun and least offensive marketing funnel you can be dropped into, but it exists to do that job.
Now, I write this with genuine sympathy, as I’ve walked the floor at countless venues trying to sell enough music and merch to cover the petrol costs of playing a gig. But this is a commercial element of this learning experience, so I will note it. At many points throughout the three weeks, we had opportunities to buy Erin’s music, t-shirts, and audio production stems (these are like a layer file of an original recording) for consumption and or remixing. I know you have to hustle if you’re making music for a living, but the observation here is that the students of this course are also a marketable audience. Perhaps only because they arrive en-mass and end up slightly faceless. I’m sure it would be weird for most teachers to sell t-shirts in a class-room. It wasn’t particularly weird online, where we’re desensitised to being constantly sold things. And I may have only noticed this because I’m interested in how all these things fit together.
The course was about learning Ableton Live. A commercial audio production tool. So at some point, the cost of Ableton had to be considered. Ableton offers a free 30 day trial, which works for this course and they kindly (or sensibly) agreed to let people taking the course start a new trial even if they’d used their 30 days already. Good manners like those are good for business. Anyway, I already owned Live 9 Intro (aka the cheap version), and for a three week intro course it does more than enough to learn the basics (I guess that’s why it’s called Intro?). But the course taught and encouraged the use of Live 9 Suite (the EUR599 rather than the EUR79 version). Until some people complained, the use of features in Suite was required to complete the final assignment. Reading between the lines, I doubt there was any deliberate commercial discussion around this planning, but the planning definitely didn’t stem from the question: ‘how can we keep the cost down for these beginners?’. At the end of the course there were discount codes to get 15% off purchasing anything from Ableton. I didn’t use Suite during the course, but I’m playing with it now on my own time and terms, and may end up spending money on it soon.
It’s wonderful, but it’s not Wikipedia. The course opened a lot of doors, but mostly into places where I could spend money, which I am cautious about as a model for learning. It was valuable to me and prompted me to learn more about Ableton Live than I would have done in those three weeks without it. So I’m grateful for it. But I can’t in my heart think of this as a ‘shared public resource’.
For my own learning, I like deadlines. Preferably arbitrary. The fact that these Coursera courses are only available at certain times during the year, really works for me. But I struggle with the logic of this when I think about how best to provide learning material online to as many people as possible. The only MOOC style courses I have finished have been time-bound. I don’t know how many people this is true for though.
People will learn X to earn Y. For me this course was a form of hobby or entertainment, but much learning has a direct commercial interest for students as well as educators. Whether it’s for professional skills development, or building some perceived CV value.
There is no ‘free’ education, even if it says “free” on the homepage. There is always a cost, financial or otherwise. Sometimes the cost is borne by the educator, and sometimes the student. Both models have a place, but I get uncomfortable when one tries to look like the other. And if the world could only have one of these models for all of education I know which one I’d choose. Marketing fills enough of our daily content and claims enough brainprint as it is.
I thought I might find some conclusions in writing this, but that doesn’t always happen. There are a lot of interesting threads here.
So instead of a conclusion, you can have the song I submitted for my course assignment. It was fun to make. And I have this free-but-not-free course to thank for getting it done.